Study No. 6
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
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Study No. 6 (1930) is hosted by the Internet Archive as a public-domain or openly licensed work, which means its copyright has expired, lapsed, or was released by the rights holder. No signup, no payment and no advertising interrupts playback. Nitrate streams the file directly from the Archive and hosts no video itself.
- Director
- Oskar Fischinger
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